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The marvel of this Glasgow-set debut film from writer-director Harry Wootliff is to make these genres overlap. They are respectively Elena and Jake: she is working in arts centre administration and he is a postgrad student doing research in marine biology. Wootliff playfully creates an opening situation of almost Richard Curtis-style romcomness. They are all in their mid-thirties and are deep into conversations about relationships, coupledom, singledom. Elena herself is single and she is being seriously hit on by a pretty good-looking man known to her female friends as a nice sort, a solid guy — and a catch.